Journal article
(In)Visibility And Representation: Social Justice In Recent Chadian Documentary Films
Abstract
This essay examines how Chadian filmmakers Mahamat-Saleh Haroun and Moubarack Idriss Nour revisit and, at times, re-enact history to provide voice and perspective to key moments in Chadian history. Moubarack Idriss Nour's feature documentary, Le Tchad entre histoire et espoir (2014) and Mahamat-Saleh Haroun's Hissein Habré: Une tragédie tchadienne (2016) are both set against the backdrop of Chad's tumultuous history and its legacies for future …
Authors
Crosta S
Journal
Critical Interventions, Vol. 11, No. 3, pp. 287–300
Publisher
Taylor & Francis
Publication Date
September 2, 2017
DOI
10.1080/19301944.2017.1401382
ISSN
1930-1944