selected scholarly activity
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books
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conferences
- Localization of novel reduced-annoyance audio interface sounds. Journal of the Acoustical Society of America. A333-A333. 2023
- Music Cognition and Perceptual Organization. Perception. 192-192. 2019
- AN ERP INVESTIGATION OF DURATION ESTIMATIONS OF FLAT AND PERCUSSIVE TONES. Journal of Cognitive Neuroscience. 175-175. 2013
- Exploring Melodic Structure to Increase Heterogeneity of Auditory Alarm Sets in Medical Devices. Journal of Medical Devices, Transactions of the ASME. 12-13. 2013
- Stimulus and perceived duration on electro-physiological correlates of auditory attention. International Journal of Psychology. 138-139. 2012
- Moving to the beat improves timekeeping in a rhythm perception task. Canadian Acoustics - Acoustique Canadienne. 124-125. 2011
- The role of attention in audio-visual integration. Canadian Acoustics - Acoustique Canadienne. 108-109. 2011
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journal articles
- ADAPTIVELY MATCHING PERCEPTUAL DURATION OF FLAT AND PERCUSSIVE TONES. Canadian Acoustics - Acoustique Canadienne. 52. 2024
- Novel auditory alerts that foster efficient detection and discrimination in complex auditory environments: Dual-task conditions. Journal of the Acoustical Society of America. 155:A38-A38. 2024
- ACCURACIES IN ALGORITHMIC PREDICTORS OF MUSICAL EMOTION. Canadian Acoustics - Acoustique Canadienne. 51:78-79. 2023
- Auditory roughness: a delicate balance. British Journal of Anaesthesia. 131:649-652. 2023
- IMPROVING THE DETECTION OF MELODIC SEQUENCES THROUGH THE ADDITION OF INHARMONIC FREQUENCIES. Canadian Acoustics - Acoustique Canadienne. 51:182-183. 2023
- INCREASING DETECTABILITY AND REDUCING ANNOYANCE OF ALARM DESIGN USING ACOUSTIC STRUCTURES OF MUSICAL INSTRUMENTS. Canadian Acoustics - Acoustique Canadienne. 51:26-27. 2023
- Improving auditory alarms: Reducing perceived annoyance with musical timbre (a randomized trial). Perioperative Care and Operating Room Management. 32:100332-100332. 2023
- Improving detectability of auditory interfaces for medical alarms through temporal variation in amplitude envelope. British Journal of Anaesthesia. 130:351-359. 2023
- Understanding Feature Importance in Musical Works: Unpacking Predictive Contributions to Cluster Analyses. Music and Science. 6:20592043231216257. 2023
- Exploring historic changes in musical communication: Deconstructing emotional cues in preludes by Bach and Chopin. Psychology of Music. 50:1424-1442. 2022
- More detectable, less annoying: Temporal variation in amplitude envelope and spectral content improves auditory interface efficacy. Journal of the Acoustical Society of America. 151:3189-3196. 2022
- Emotion and expertise: how listeners with formal music training use cues to perceive emotion. Psychological Research. 86:66-86. 2022
- Individualized interpretation: Exploring structural and interpretive effects on evaluations of emotional content in Bach’s Well Tempered Clavier. Journal of New Music Research. 50:447-468. 2021
- Decaying amplitude envelopes reduce alarm annoyance: Exploring new approaches to improving auditory interfaces. Applied Ergonomics. 96:103432-103432. 2021
- High Time for Temporal Variation: Improving Sonic Interaction with Auditory Interfaces. IEEE Instrumentation and Measurement Magazine. 24:4-9. 2021
- Perceptions of Audio-Visual Impact Events in Younger and Older Adults. Multisensory Research. 34:839-868. 2021
- Exploring Changes in the Emotional Classification of Music between Eras. Auditory Perception & Cognition. 4:121-131. 2021
- Embracing Anti-Racist Practices in the Music Perception and Cognition Community. Music Perception. 38:103-105. 2020
- Re-Sounding Alarms: Designing Ergonomic Auditory Interfaces by Embracing Musical Insights. Healthcare (Switzerland). 8:389-389. 2020
- On the generalization of tones: A detailed exploration of non-speech auditory perception stimuli. Scientific Reports. 10:9520. 2020
- Exploring the Effects of Effectors. Music Perception. 37:196-207. 2020
- Communicating through ancillary gestures: Exploring effects on coperformers and audiences. Human Technology. 16:257-282. 2020
- Acoustically Expressing Affect. Music Perception. 37:66-91. 2019
- Improving Human–Computer Interface Design through Application of Basic Research on Audiovisual Integration and Amplitude Envelope. Multimodal Technologies and Interaction. 3:4-4. 2019
- Exploring the Effects of “Sound Shape” on Consumer Preference. Ergonomics in Design. 27:16-19. 2019
- Seeing Sound: A tool for teaching music perception principles. Canadian Acoustics. 45:104-105. 2017
- Name that Percussive Tune: Associative Memory and Amplitude Envelope. Quarterly Journal of Experimental Psychology. 70:1323-1343. 2017
- Temporal prediction abilities are mediated by motor effector and rhythmic expertise. Experimental Brain Research. 235:861-871. 2017
- Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical Emotion. Frontiers in Psychology. 8:1402. 2017
- Composing alarms: considering the musical aspects of auditory alarm design. Neurocase. 22:566-576. 2016
- The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues. Attention, Perception & Psychophysics. 78:1512-1528. 2016
- Trained to keep a beat: movement-related enhancements to timing perception in percussionists and non-percussionists. Psychological Research. 80:532-542. 2016
- Clarifying amplitude envelope’s crucial role in auditory perception. Canadian Acoustics - Acoustique Canadienne. 44:42-43. 2016
- Movement Enhances Perceived Timing in the Absence of Auditory Feedback. Timing and Time Perception. 3:3-12. 2015
- Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech. Frontiers in Psychology. 6:1419. 2015
- Exploring the Role of the Amplitude Envelope in Duration Estimation. Perception. 43:616-630. 2014
- Surveying the Temporal Structure of Sounds Used in Music Perception. Music Perception. 31:288-296. 2014
- “Moving to the beat” improves timing perception. Psychonomic Bulletin and Review. 20:1133-1139. 2013
- Effectively using affective gestures: What percussionists need to know about movement and perception. Percussive Notes. 16:26-31. 2013
- New Sacred Song in the church service: A short accompanying guide. Musik und Kirche. 81:30-37. 2011
- Seeing music, hearing gestures. Journal of Vision. 5:649-649. 2010
- Audio-Visual Objects. Review of Philosophy and Psychology. 1:41-61. 2010
- Causality and cross-modal integration.. Journal of Experimental Psychology: Human Perception and Performance. 35:1791-1810. 2009
- Visual determinants of a cross-modal illusion. Attention, Perception & Psychophysics. 71:1618-1627. 2009
- Deconstructing a musical illusion: Point-light representations capture salient properties of impact motions. Canadian Acoustics - Acoustique Canadienne. 37:23-28. 2009
- The mind of the listener: Acoustics, perception, and the musical experience. Do longer gestures make longer notes?. Percussive Notes. 47:22-28. 2009
- Hearing Gestures, Seeing Music: Vision Influences Perceived Tone Duration. Perception. 36:888-897. 2007
- Looking Beyond the Score. Music Theory Online. 18.
- Seeing Music? What musicians need to know about vision. Empirical Musicology Review. 3:83-108.
- The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate. Empirical Musicology Review. 3:126-135.
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other
- Acoustic Structure and Musical Function: Musical Notes Informing Auditory Research. The Oxford Handbook of Music and the Brain. 144-164. 2019
- Performance Practice in the Music of Steve Reich. Cambridge Core. 2016
- Cambridge companion percussion \textbar Music performance. Cambridge University Press.
- Exploring the Effects of “Sound Shape” on Consumer Preference - Michael Schutz, Jeanine K. Stefanucci, 2019
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performances
- Altoona Symphony Orchestra, section percussion
- Ash Lawn Summer Opera
- Bernstein Beat children’s concert narrated by Jamie Bernstein, percussion
- Charlottesville Symphony Orchestra 30th Anniversary Season Album
- Charlottesville Symphony Orchestra, section percussion
- Clinic and solo performances at the Ontario Day of Percussion.
- Digitalis – New Electronic Music
- Flute/Marimba Duo, Sally Irwin faculty recital.
- Guest Artist at University of Virginia
- Guest Conductor/Soloist,
- Guest appearance, Sally Irwin recital at St. Catherine’s School
- Hamilton Philharmonic, vibraphone.
- Invited performance with William and Hobart Smith Colleges Percussion Ensemble
- Invited recital at the Ontario Day of Percussion festival
- Invited soloist at Alvin Lucier Festival
- Invited soloist at Music & Memories Concert
- Lakeside Brass
- Lecture recitals
- Lecture recitals
- Lecture recitals
- Lecture/recital at the University of California
- Longwood University Faculty Recitals
- Lunchtime concert series recital
- Lunchtime concert series recital
- Lynchburg Symphony Orchestra, section percussion
- Marvin Hamlish Orchestra, timpani
- MegaHz Electronic Music Festival
- Music Educators National Convention, Penn State University Mallet Ensemble.
- New Music Marathon: from A to Z!.
- New Music Northwestern – A Boulez Celebration.
- Nittany Valley Symphony Orchestra, section percussion
- Northwestern University Percussion Ensemble
- Opera on the James, principal percussion/timpani
- Oratorio Society of Charlottesville-Albemarle, section percussion
- Pennsylvania Centre Orchestra, section percussion
- Pennsylvania Day of Percussion with Penn State University Percussion Ensemble.
- Project:Percussion - Richmond Percussion Festival.
- Recital at conclusion of Neuromusic Conference
- Roanoke Symphony Orchestra, section percussion
- Solo recital at Pennsylvania Music Teachers Association State Convention
- Soloist with Penn State Mallet Ensemble at MENC National Convention
- Soloist, Concerto for Marimba
- Soloist, Concerto for Marimba and Wind Ensemble with the McMaster University Concert Band
- Soloist, PASIC (Percussive Arts Society International Convention) Focus Day.
- Soloist/clinician, Project:Percussion – Richmond Percussion Festival
- Symphonic Wind Ensemble soloist as winner of Phi Mu Alpha Sinfonia Concerto Competition
- Time to Burn – Music of Judith Shatin
- Virginia Consort Choir, section percussion
- Virginia/DC Day of Percussion
- Waynesboro Symphony, section percussion
- Wintergreen Summer Music Festival Orchestra, percussion
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posters
- Historical changes in musical expression. 2019
- Perceived emotion across musical eras 2019
- The crucial (yet easily overlooked) role of amplitude envelope in audio-visual integration. 2017
- Classifying auditory stimuli: Sounds encountered in a survey of leading perception journals 2015
- Digitizing Bach: Visualizing Tempi Recommendations for The Well-Tempered Clavier 2015
- Temporal structure and audio-visual integration: Exploring the role of amplitude envelope 2014
- The role of biological motion in audio- visual integration. Journal of Vision. 2013
- Music perception understanding is a prerequisite to implementing computer aided musical analyses 2006