Totalitarian Paranoia in the Post-Orwellian Surveillance State Journal Articles uri icon

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abstract

  • Most commentary on the Edward Snowden affair and other recent accounts of government spying leaked in the media has focused on individual privacy concerns, while overlooking how contemporary neoliberal modernity has created a social order in which new surveillance technologies grant the state a degree of power unthinkable to past generations – exceeding in reach and complexity even the totalitarian state imagined in Orwell's dystopian account, 1984. Any critical analysis of the modern surveillance state must move beyond documenting abuses of state power to address how government repression has been allowed to proceed unchecked, and even to flourish, through its support of an antidemocratic public pedagogy produced and circulated via a depoliticizing machinery of fear and consumption. In the USA, repression works through the homogenizing forces of the market as well as a corresponding loss of public memory and political identity to encourage the widespread embrace of an authoritarian surveillance culture. The state and corporate cultural apparatuses now collude to socialize everyone into a surveillance regime, even as personal information is willingly given over to social media and other corporate-based sites as people move across multiple screens and digital apparatuses. It is no longer possible to address the violations committed by the surveillance state without also analysing this broader regime of security and commodification. The authoritarian nature of the corporate–state surveillance apparatus in the USA can only be fully understood when its ubiquitous tentacles are connected to wider cultures of entertainment, commerce and punishment, and the increasing labelling of democratic dissent as an act of terrorism. If democracy is to have a future in America, then it is imperative to organize social movements capable of recovering public memory and reclaiming dissent as essential features of responsible citizenship.

publication date

  • March 4, 2015