selected scholarly activity
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academic article
- Introduction: Gender, Cultural Mobility, and Theater History Inquiry. Renaissance Drama. 44:187-200. 2016
- The Advent of Women Players and Playwrights in Early Modern France. Renaissance Drama. 44:217-232. 2016
- Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis. Early Theatre: a journal associated with the Records of Early English Drama. 15:109-144. 2014
- In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women's Writing. Renaissance and Reformation. 35:119-122. 2012
- Henrietta Maria: Piety, Politics and Patronage. Journal of British Studies Albion. 49:173-175. 2010
- QUEENS AND THE INTERNATIONAL TRANSMISSION OF POLITICAL CULTURE. The Court Historian. 10:1-13. 2005
- Write or be written: Early modern women poets and cultural constraints. Sixteenth Century Journal. 34:790-791. 2003
- 'Not as myself': The Queen's voice in 'Tempe Restored'. Modern Philology. 101:48-67. 2003
- Notes and Documents: A Newly Discovered Performance by Henrietta Maria. Huntington Library Quarterly. 65:435-447. 2002
- Tasso's Enchantress, Tasso's Captive Woman. Renaissance Quarterly. 54:523-552. 2001
- Jonson's siren stage. Studies in Philology. 96:68-95. 1999
- "Her filthy feature open showne" in Ariosto, Spenser, and Much Ado about Nothing. SEL - Studies in English Literature. 39:41-67. 1999
- 'Her Filthy Feature Open Showne' in Ariosto, Spenser, and Much Ado about Nothing. SEL - Studies in English Literature. 39:41-67. 1999
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chapter
- Courtly Comédiantes: Henrietta Maria and Amateur Women's Stage Plays in France and England. 193-215. 2005
- Circe y las sirenas en las mitografías y enciclopedias del renacimiento. 129-148. 2002
- Women's Popular Culture? Teaching the Swetnam Controversy. 79-100. 2002
- “‘Honny-dewed tongues of harlots’: Circe and the Sirens in Renaissance encyclopedias and mythographic compendiums” (translated as “Circe y las Sirenas en las Mitografías y Enciclopedias del Renacimento”) 2002
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thesis