selected scholarly activity
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academic article
- Editorial. Early Theatre Early Theatre. 25. 2022
- Editorial. Early Theatre Early Theatre. 24. 2021
- Editorial. Early Theatre Early Theatre. 24. 2021
- Editorial. Early Theatre Early Theatre. 23. 2021
- Editorial. Early Theatre Early Theatre. 23. 2020
- Editorial. Early Theatre Early Theatre. 22. 2019
- Homer's Iliad. Renaissance and Reformation. 42:208-210. 2019
- Editorial. Early Theatre Early Theatre. 22. 2019
- Editorial. Early Theatre Early Theatre. 21. 2018
- Editorial. Early Theatre Early Theatre. 21. 2018
- Editorial. Early Theatre Early Theatre. 20. 2017
- Editorial. Early Theatre Early Theatre. 20. 2017
- Editorial. Early Theatre Early Theatre. 19. 2016
- Introduction: Gender, Cultural Mobility, and Theater History Inquiry. Renaissance Drama. 44:187-200. 2016
- The Advent of Women Players and Playwrights in Early Modern France. Renaissance Drama. 44:217-232. 2016
- Editorial. Early Theatre Early Theatre. 19. 2016
- Editorial. Early Theatre Early Theatre. 18. 2015
- Editorial. Early Theatre Early Theatre. 18. 2015
- Editorial. Early Theatre Early Theatre. 17. 2014
- Editorial. Early Theatre Early Theatre. 17. 2014
- Editorial. Early Theatre Early Theatre. 16. 2014
- Editorial. Early Theatre Early Theatre. 16. 2013
- Editorial. Early Theatre Early Theatre. 13. 2013
- Editorial. Early Theatre Early Theatre. 15. 2012
- Marie de Medici's 1605 ballet de la reine and the Virtuosic Female Voice. Early Modern Women. 7:127-156. 2012
- Marie de Medici’s 1605 <em>ballet de la reine</em>: New Evidence and Analysis. Early Theatre Early Theatre. 15:109-144. 2012
- In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women's Writing. Renaissance and Reformation. 35:119-122. 2012
- Editorial. Early Theatre Early Theatre. 14. 2011
- Editorial. Early Theatre Early Theatre. 14. 2011
- Editorial. Early Theatre Early Theatre. 13. 2010
- Erin Griffey, ed. Henrietta Maria: Piety, Politics and Patronage. Women and Gender in the Early Modern World. Aldershot: Ashgate, 2008. Pp. xii+228. $99.95 (cloth).. Journal of British Studies Albion. 49:173-175. 2010
- Editorial. Early Theatre Early Theatre. 12. 2009
- Editorial. Early Theatre Early Theatre. 12. 2009
- QUEENS AND THE INTERNATIONAL TRANSMISSION OF POLITICAL CULTURE. The Court Historian The Court Historian. 10:1-13. 2005
- Write or be written: Early modern women poets and cultural constraints. Sixteenth Century Journal. 34:790-791. 2003
- “Not as Myself”: The Queen’s Voice in Tempe Restored. Modern Philology. 101:48-67. 2003
- A newly discovered performance by Henrietta Maria. Huntington Library Quarterly. 65:435-448. 2002
- Tasso’s enchantress, Tasso’s captive woman*. Renaissance Quarterly. 54:523-552. 2001
- Jonson's siren stage. Studies in Philology. 96:68-95. 1999
- "Her Filthy Feature Open Showne" in Ariosto, Spenser, and "Much Ado about Nothing". SEL - Studies in English Literature. 39:41-41. 1999
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book
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chapter
- Courtly Comédiantes: Henrietta Maria and Amateur Women’s Stage Plays in France and England. 193-215. 2019
- Dynastic Marriage, Diplomatic Ceremonial and the Treaties of London (1604–05) and Antwerp (1609). 287-302. 2018
- Circe y las sirenas en las mitografías y enciclopedias del renacimiento. 129-148. 2002
- Women's Popular Culture? Teaching the Swetnam Controversy. 79-100. 2002
- “‘Honny-dewed tongues of harlots’: Circe and the Sirens in Renaissance encyclopedias and mythographic compendiums” (translated as “Circe y las Sirenas en las Mitografías y Enciclopedias del Renacimento”) 2002
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thesis