selected scholarly activity
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books
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chapters
- Studying Visual Autobiographies in the Post-Digital Era. 49-60. 2019
- Paris–Boston–Berkeley–the Mexico/Texas Borderlands 1949–1990; or, Gender and Sexuality 2017
- Innovations in queer writing. 95-109. 2015
- 1 Visual Autobiography in the Frame: Critical Embodiment and Cultural Pedagogy. 1-28. 2014
- 14 Connective Tissue: Summoning the Spectator to Visual Autobiography. 244-268. 2014
- Olaudah Equiano, autobiography, and ideas of culture. 45-68. 2012
- Queer histories and postcolonial intimacies in Alan Hollinghurst's The Line of Beauty. 184-202. 2011
- Olaudah Equiano and the Concept of Culture. 270-276. 2008
- Working-Class Women, Labor, and the Problem of Community in Union Street and Liza's England. 24-39. 2005
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internet publications
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journal articles
- Mask Aesthetics: Prophylaxis, Post -Digital Arts, and Reimagining Vulnerable Selves. a/b: Auto/Biography Studies. 39:9-36. 2024
- Cripping instagram: Embodied, Critical, and Creative Cultures of Use. ASAP/Journal. 9:83-110. 2024
- Asynchronous Encounters: Artistic Practice and Mediated Intimacy in the Space-Time of Lockdown. Somatechnics. 13:1-22. 2023
- Encounters with Kusama: disability, feminism, and the mediated Mad art of #InfiniteKusama. Feminist Media Studies. 21:905-922. 2021
- The Stickiness of Instagram: Digital Labor and Postslavery Legacies in Kara Walker's "A Subtlety". Cultural Critique. 105:1-39. 2019
- Fugitivity, Futurity, and a Moving Pedagogy [Special Section]. Canadian Review of Comparative Literature. 45:629-667. 2018
- “Going Home”: Caryl Phillips’s The Lost Child as Feminist Decolonial “Yorkshire Noir”. LIT Literature Interpretation Theory. 29:159-178. 2018
- Mediated Embodiments|Embodied Meditations. a/b: Auto/Biography Studies. 33:267-278. 2018
- On the Times and Places of Embodied Testimony: Remaking the World. a/b: Auto/Biography Studies. 33:437-440. 2018
- Introduction: Fugitivity, Futurity, and a Moving Pedagogy. Canadian Review of Comparative Literature. 45:629-635. 2018
- Tainted Witness: Why We Doubt What Women Say About Their by Leigh Gilmore. Biography. 41:691-696. 2018
- Learning withThe 500 Years of Resistance Comic Bookin a Cultural Studies Course. a/b: Auto/Biography Studies. 32:106-111. 2017
- Cripping the Museum. Journal of Literary and Cultural Disability Studies. 8:315-333. 2014
- POSTCOLONIAL INTIMACIES: GATHERINGS, DISRUPTIONS, DEPARTURES. Interventions. 15:1-9. 2013
- ‘NOT WITHOUT AMBIVALENCE’. Interventions. 15:110-126. 2013
- Introduction: Pedagogy, Image Practices, and Contested Corporealities. Review of Education, Pedagogy, & Cultural Studies, The. 34:75-81. 2012
- Pedagogy, Image Practices, and Contested Corporealities [Special Issue]. Review of Education, Pedagogy, & Cultural Studies, The. 34:71-211. 2012
- Entangled Genealogies: White Femininity on the Threshold of Change in Andrea Levy's Small Island. Contemporary Women's Writing. 4:100-113. 2010
- Entangled Genealogies: White Femininity on the Threshold of Change in Andrea Levy's Small Island. Contemporary Women's Writing. 4:100-113. 2010
- Lost Bodies: Inhabiting the Borders of Life and Death. Life Writing. 7:103-105. 2010
- Olaudah Equiano, Autobiography, and Ideas of Culture. 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era. 17:249-270. 2010
- Troubled heroism:. Scrutiny2 (Unisa English Studies). 13:33-46. 2008
- “Compassionate Leave”?: HIV/AIDS and Collective Responsibility in Ingrid de Kok’s Terrestrial Things. Literature and Medicine. 26:312-341. 2007
- Women, aging, and gossip in Lady Mary Wortley Montagu's letters of the 1720s. Eighteenth Century. 45:1-20. 2004
- How to Have Theory in an Epidemic: Cultural Chronicles of AIDS (review). Literature and Medicine. 21:306-311. 2002
- Angels in Antigua: The Diasporic of Melancholy in Jamaica Kincaid'sMy Brother. Publications of the Modern Language Association of America. 117:265-277. 2002
- Angels in Antigua: The diasporic of melancholy in Jamaica Kincaid's My Brother. Publications of the Modern Language Association of America. 117. 2002
- Spider women: A tapestry of creativity and healing. Essays on Canadian Writing. 110-117. 2000
- Elizabeth Barrett Browning's The 'Runaway slave at Pilgrim's Point' and the politics of interpretation. Victorian Poetry. 36:273-288. 1998
- 'In Sotto Howl': Sexuality and politics in the poetry of R.M. Vaughan. Essays on Canadian Writing. 63:172-196. 1998
- Tainted Witness: Why We Doubt What Women Say About Their Lives. Biography. 41:691-696.
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media
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other
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theses