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The High-Voice Superiority Effect in Polyphonic...
Journal article

The High-Voice Superiority Effect in Polyphonic Music Is Influenced by Experience: A Comparison of Musicians Who Play Soprano-Range Compared With Bass-Range Instruments

Abstract

Western polyphonic music is typically composed of multiple simultaneous melodic lines of equal importance, referred to as “voices.” Previous studies have shown that adult nonmusicians are able to encode each voice in separate parallel sensory memory traces during passive listening. Specifically, when presented with sequences composed of two simultaneous voices (melodies), listeners show mismatch negativity (MMN) responses to pitch changes in …

Authors

Marie C; Fujioka T; Herrington L; Trainor LJ

Journal

Psychomusicology Music Mind and Brain, Vol. 22, No. 2, pp. 97–104

Publisher

American Psychological Association (APA)

Publication Date

December 1, 2012

DOI

10.1037/a0030858

ISSN

0275-3987